People were so stunned about the Manus X Machina fashion in an age of technology Madonna. The spring 2016 exhibition at the Costume Institute investigates how fashion designers reconcile the handcrafted and the machine-made in the creation of haute couture and avant-garde ready-to-wear.
Madonna has created a legacy that transcends music and has been researched by sociologists, historians, and other researchers, helping to propel Madonna studies, a subgenre of American cultural studies, to prominence.
"To argue Madonna is simply a pop star is as inappropriate as saying Coca-Cola is just a Coke," says Rodrigo Fresán. Madonna is an iconic symbol of Made in America." "She became the first maestro of viral pop in history, years before the internet was widely used," stated Rolling Stone Spain.
Madonna was all over the music television networks, 'radio formulae,' magazine covers, and even bookstores. A pop dichotomy not seen since the Beatles' heyday, allowing her to stay on the cutting edge of trend and commerciality.
So the presence of the famous "Queen of Pop" made the whole event more exciting. The exhibition, which features over 170 separates dating from the early 20th century to the present day, discusses the establishment of haute couture in the 19th century.
This was concurrent with the invention of the sewing machine, as well as the emergence of a distinction between the hand (manus) and the machine (machina) at the beginning of mass production.
The exhibition is comprised of over 170 separates. It investigates this ongoing duality, in which hand and machine are portrayed as incongruous elements in the creative process, and it raises issues about the relationship between haute couture and ready-to-wear fashion as well as the distinction between the two.
Through the employment of white scrims, the galleries located on the ground floor and first floor of the Robert Lehman Wing of the Museum has been converted into a building-within-a-building.
The area serves as a repository for a number of case studies, each of which decodes an ensemble of haute couture or ready-to-wear clothing in order to uncover its hand/machine DNA.
The center cocoon is occupied by an haute couture bridal dress designed by Karl Lagerfeld for Chanel in 2014 and measuring 20 feet in length. The details of the dress's needlework are projected onto the ceiling of the dome.
The scuba knit ensemble, which served as one of the exhibition's sources of inspiration, is a premier illustration of the intersection of handiwork and industrial production. The pattern on the train was hand-painted with gold metallic pigment, machine-printed with rhinestones, and hand-embroidered with pearls and gemstones.
Since her early career in the 1980s, she has had a social-cultural impact on the world through her songs, attitude, clothes, and lifestyle.
Madonna had a distinct characteristic appearance that is still imitated and recognized today. She is the fashion queen who has helped many renowned and young designers advance their careers.
The Material Girl, created by Madonna and her daughter Lourdes, is impulsive and bold.
Madonna's net worth is believed to be between $590 and $800 million. Throughout the 1980s, 1990s, 2000s, and 2010s, Forbes named her the top-earning female artist 11 times. Over 300 million recordings have been sold worldwide.
She was named the best-selling female music artist of all time by Guinness World Records. It was such a privilege to witness a such prestigious event with Madonna herself.